June 2009

06/15/2009

The Sixth Kid In The Hall

by Matthew Edward Hawkins

Lots to go over. First and foremost…

fort90forums ver 1.0 RIP (2007-2009)

It’s official: the forums are dead. At least the incarnation most are familiar with. Long story short, while doing a routine back-up, before upgrading to the next version of the bulletin board software, something simply went awry. As a result, the entire thing became corrupted somehow, and all attempts to salvage it have been unsuccessful. Oh well.

What next? Time to rebuild of course. Sucks that so much good stuff has been forever lost (especially my top ten list of cartoon girls I’d love to bang, a truly epic thread if there ever was one, plus we never did figure out the identity of forty90), but all of us can pitch in to help all make the new forums bigger, stronger, faster, and better. Yet, when that might be is somewhat up in the air. I make no bones about the fact that I’m dreadfully internet illiterate. Granted, I have a real knack for unearthing kooky crap, that’s sorta what I’m known for (a trait I’m perhaps a bit too proud of), but when it comes to understanding the ones and zeroes that actually keeps the whole show going, I’m hopelessly lost, and the two hours I spent trying to figure out phpBB earlier this afternoon was frustrating to say the least.

But when it does finally go live, which should be by the end of this week, there will be numerous changes. First and foremost, it’ll be hosted on my end and not Mike’s. Bottom-line is that the dude’s too damn busy these days to help run some message board for some schmo pal of his. So from this point on, I’ll be bothering Jason when it comes to administrative assistance! And since Jason is the talent behind the stellar look of this site as a whole, I’m hoping to pretty up the message board at last, something that kinda fell to the way side with the first version. Though Mike will still be around as a fellow admin, as before.

When the switch is officially turned on, I’ll definitely give everyone the head’s up. And here’s hoping to see the return of some old faces mixed with some new ones. Truth be told, it was getting a tad bit stagnant near the end, so when things came crashing down, I simply thought to myself “well, it was nice while it lasted” and figured my life would continue without a forum to call my very own. But where else can I can drop game related musings at the drop of a hat, random and batsh*t inanely awesome pics and vids, plus poke fun at hipsters and Willamsburg in general in one central area? Anyhow, stay tuned!

MoCCA Follow-Up

I guess a follow-up to the prior weekend’s debacle might be in order. For starters, when I posted my bitch-fest, I figured that I’d be one of the lone voices of distention as usual. The weird thing about cartoonists sometimes is their penchant for being overly positive about stuff after the fact, like shows, even if they were actually complaining the whole time while in the midst of it. Not this time though. Apparently, lots of people felt the same exact way, if not more so. Hell, even the ultra positive Dave Roman was critical of the entire affair and that dude never complains about anything!

It was a fairly hot topic (excuse the pun) for most of last week. Evan Dorkin perhaps summed it all best over at his LiveJournal. That’s not to say that it hasn’t had its defenders, with my favorite being “it’s summertime, it’s supposed to be hot in New York City”… seriously, give me a f’n break. But most people have generally been on the outraged side of the fence, perhaps due to the fact that a number of individuals actually became ill because from the extreme temperatures. Thankfully none of my crew got sick, though I must admit, it really did leave myself, Katie, and Hilary drained for most of the followingweek. But I only became legitimately pissed off after reading this, in which Evan points out the absolutely asinine penalties for those that reserved a table for next year and who might have to cancel. I’m actually one of those idiots that never reads the fine print, and while I don’t expect to pull out of the show, the thing is, because none of us knows when it’ll be exactly, whose to say that it won’t conflict with something on one of our ends?

Oh, and last night, MoCCA charged me for next year’s table. Something that generally happens much later in the year, like in November. Curious, very curious. Just wish… you know… the date for the show was actually known. I really hope the “take the money and run” vibe I’m getting turns out to be completely unfounded.

There’s That Flick That Combines Up-Skirt Photography And Ninja Skills. And It’s Four Hours Long.

Also last week, the New York Asian Film Festival 09′s full schedule was finally unveiled! Along with the poster…

… As usual, there’s a TON of awesome stuff to see. Like way too much good stuff. Currently, there’s like twenty-five different flicks that I would love to catch, but I know realistically speaking, that ain’t gonna happen; my brain would completely melt near the end. So a far more realistic 18 is on my must watch list at the moment, which of course is subject to change. At the very least, because I’ve totally missed out on every single summer blockbuster thus far, I’m more than ready to spend a good amount of time at a movie house; at one point, my plan was to get a ticket for a movie at the AMC 25 on a weekday morning, and just theater hop the entire day through, to catch Wolverine, Star Trek, Terminator, Up, and anything else that I’m forgetting. But now I’m just saving myself for the NYAFF. Though I’ll be catching the new live action Transformers flick with Dave Maruo, who insists on seeing it while on some kind of psychotropic drug, plus there’s Harry Potter 6 of course. I just hope the forums are up by then, to have yet another FHW (Fucking Hermione Week). The last one was pretty sweet.

Back to the NYAFF; the ones that seem to hold the most promise thus far is the movie where the characters in it write a book, and its characters write a book, and its characters write a book, and its characters write a book… and so on… the one based on a novel centered around a woman’s odyssey to have a split tongue, the one about two music dorks that totally miss the end of the world cuz they were in some basement, listening to some old punk album, the one about a hard boiled Hong Kong detective who uncovers a plot by all the women of the world to kill all the men of the world, the one about a real life plan accident in 85 and the reporter from the small local paper’s attempt at uncovering the real facts (mostly because its by Masato Harada, easily one of my fave Japanese directors, and the dude behind The Shadow Spirits, which might have been the best film I saw all last year), the one about a dead astronaut’s clone arriving at his wife’s doorsteps, plus the sequel to last year’s runaway hit, Tokyo Gore Cops, aka Tokyo Gore Night!

Though the one that looks the most exciting is the four hour long epic about some dude who tries his best to become closer with his ultra conservative father whose just become a Catholic priest by becoming a gigantic perv, developing all sorts of sophisticated (and graceful) manners to take up-skirt pics of women. And who later falls into love with a girl that reminds him of the Virgin Mary or something. Anyhow it’s called Love Exposure, and while most Japanese horror flicks simply make my eyes roll, when it come to their sexual comedies, I’ve almost never been disappointed, with this one looking to be the grand daddy of them all. Meanwhile, the festival is also showing a bunch of short softcore exploitation flicks, known as pink films in their native land, which I’m super interested in, though I have to draw the line somewhere. There’s also a bunch of movies that fall in the genre that Tokyo Gore Cops is the clear king of the hill off, that being the totally f-ed up blood, guts, and even more guts flicks, basically the Japanese equivalent of Evil Dead. I’d say about five in total, with each having some kind of connection to TGC, like it being from the same writer or director. Which to be totally honest seems a tad bit overkill. At the very least, there’s more stuff from mainland China and other parts East this time around, plus the HK classic The Longest Nite is getting a special screening, and that’s a absolutely must see for anyone that hasn’t witnessed it yet. I’d go, but I’ve seen my DVD copy like a hundred times already, no joke.

So yeah, for those who’ll be wondering what’s happened to me in the next two weeks, there ya go.

The Enchanted Forest

Late Friday night myself, Dave Roman, his wife Raina, Steve Flack, plus other friends, all went to the UCB Theater to see “The Sixth Kid In The Hall” aka Kevin McDonald perform his one man show “Hammy & The Kids.” I’m not just saying this just for the purpose of this report, but Kevin happens to be my favorite cast member, and the Kids In The Hall also happened to be one of my favorite all time sketch comedy shows growing up (unlike SNL and even SCTV, it honestly has not aged a single bit), so this was quite the thrill to say the least.

And how awesome was it? Very! The show kicked off with Kevin’s recollection of his childhood, as the son of a raging alcoholic dad whose name was Hamilton, or Hammy as he liked to be called. Remember the sketch Daddy Drank? That was based on the old man, virtually word for word. Naturally, the audience also got to learn what led Kevin down the path of comedy, all starting with the laugh he got while tripping and falling during mass as an alter boy (the priest was less than pleased with his Chevy Chase impression). This led to his decision to go to acting school later in life, where he was promptly kicked one month later by a professor that accused him of being an actor with “just one leg”, with the ironic part being that this particular person himself was an actor who had lost one of his during some stage mishap. But Kevin immediately found himself in Second City, where he encountered Dave Foley and a bond was immediately formed. They would perform all around Toronto alongside other improv troupes, until encountering another that consisted of Bruce McCulloch and Mark McKinney, and because those four immediately clicked, they then started doing stuff together. The funny part about the fifth member, Scott Thompson, is how he would attend their shows and just jump up on stage to become part of the show, which eventually gained him an official spot. Various other people would come and leave (according to my Comedy Central newsletter, which I received somehow back when the network was struggling to find its footing, the group at one point consisted of ten people, including a black guy and several women), but the core was those five guys, and I guess how they became known as the Kids In The Hall is some well know tale that I personally was not familiar with, but the song that Kevin performed helped to fill in the blanks quite nicely.

I guess it should be no surprise to anyone that the best parts were all the fun little behind the scenes anecdotes during his days as a Kid, such as the inspiration or starting points for certain characters, and just his interactions with fellow cast members in general. Like how he once live with Scott Thompson, and one day when coming home, there was Scott trying to put out a fire in the kitchen, totally naked. Apparently he was trying to boil some eggs, then got aroused, then went to the bedroom to masturbate, which took too long, and thus a grease fire developed. Along the way, we hear of Hammy’s state of affairs at the moment; despite having a very strained relationship, Kevin tries his best to maintain some kind of relationship, though nothing is ever good enough for his father, who takes such things like his son’s penchant for dressing up as a woman for the stage and television not so well. We also hear Kevin addressing his own dysfunctions, such as his severe passive aggressiveness, all of which can be attributed to having an alcoholic dad. The final days of the Kids are recounted, in which there is severe in-fighting across the board, making the writing of their film script all the more difficult, primarily the last week before the studio heads show up to hear about the ending, which had yet to be written. Making things worse, aside from the fact that one of them had walked off (I forget if it was Bruce or Dave), was how Kevin gets a phone call from his father from a hotel room where he’s holed up and literally drinking himself to death, who wants to finally “get into it” with his estranged son.

Upon first hearing about the show, myself and Dave were both somewhat afraid that the entire thing would just be some ultra bitter rant session from McDonald, which as entertaining as that might have been, would have also be on the depressing side. But not the case here, though hearing him address his sick father and the misery that was forced upon him, such as the aforementioned personality quirks, was didn’t bum the audience out either. The entire show from top to bottom was refreshingly honest, never preachy or overly sentiment, and basically avoided all the pitfalls that 99% of one-person shows generally succumb to. I guess the best part was the last part, in which McDonald reveals how the entire gang is getting back together again to film a new series! Coming this fall I believe. Nice to hear that the Kids are all right. Sorry, had to say it.

A SD Fighter In A HD World. Also, Japanese People LOVE Their Dogs.

The next day was spent at Chinatown Fair with Dave Mauro and Joe Salina, since it had been some time since we kicked it at the arcade. I forget if I mentioned this before, but a while ago I encountered King of Fighters XII and was amazed by how bad it looked in person. And once again, the game looked like ass; here’s a very close up shot to help illustrate my point:

According to Dave, the problem is with the contrast, as in the monitor that’s being used has its set way too high. But I would like to assume that the folks running Chinatown Fair would be well aware of this; no other machine has any other similar issue. Strange. At the very least, it’s going to look nice as hell on my standard definition set! As well as Dave’s Astro City. Speaking of which, both myself and Joe are insanely jealous that Dave was able to nab a Japanese 360 from eBay for the ridiculously low price of $135. WTF? Which will be going into the cab, to run Death Smiles of course!

Anyway, I finally played a bit of KOF XII, as did Joe, and… Here’s the thing: I consider myself a King of Fighters fan, but I’m mostly into its diverse and wacky cast of characters, the storyline, the overall vibe of the series. But as for how it plays, some are clearly better than others. And that’s how it is with everyone, hence why everyone still loves KOF 98 so much, and a ton of credit has to be given to SNK for their willingness to experiment (whereas Sf4 frankly bores me to death since it’s the same ol, same ol). But something about this latest one just doesn’t click with me, don’t know why. According to Joe, it plays a lot like KOF 2001, which I’m not familiar with. But at the same time, it definitely does have a very Korean vibe. Not helping is the rather paltry cast of characters, though I’m well aware of how that’s going to be rectified. Still, no Kula Diamond or Vanessa, no sale. And I’m still not a fan of Athena’s gigantic animu eyes. Another odd thing is how the game just ends after five rounds. No big boss or anything. Your time is heavily emphasized in the game… perhaps Joe and I didn’t plow through our five rounds fast enough?

Meanwhile, right next to it was BlazBlue, which simply looked gorgeous. And as much as I’ve always loved the silky smooth look of Guilty Gear, the characters themselves have always been a bit on the boring side, IMHO. Yet everyone in BlazBlue looks insanely cool, plus the backgrounds are simply magnificent, along with all the other little graphic flourishes. Unfortunately, it might not look so hot on Dave’s arcade set-up, let alone mine, since it’s apparently a HD game, period. Meaning on our 4:3 montiors it’ll have letterboxing, plus who knows how it’ll look down-sampled to 480p. Guess we’ll both find out at the end of this month! Neither Joe and I bothered to give it a while since some Korean dude was clearly kicking everyone’s ass, and the steep price was just too much for us, especially since neither of us were going to last all that long.

Also on-hand was Tekken 6, which I’m equally excited about. Too bad no one chose the sheep stage (with its amazing BGM) while Joe and I were looking on. Namco’s actually coming to town in a few weeks with it and various other upcoming titles, so expect a full report when the time comes! As for Dave, he kept himself entertained with SF4. The set-ups they have seem rather pointless now considering that they lack all of the home version’s characters, which is like 65% of the cast. So you’d think it would simply be a chance for those who had honed their skills at home to show them off in public, no? Not really, but even still, Dave would have dispensed with them with much ease in any occasion.

… Afterward the three of us, along with another pal of Dave’s, all had lunch at Restaurant 69, my fave dirt-cheap joint in Chinatown. Then it was off to Piano’s for their four-dollar margarita specials. Very long story short, I had WAY too much to drink. Now, I’m the type of person who finds tales of extreme drunkenness to be, among things, pretty boring, but since it was such a major part of this past weekend… I distinctly recall asking Joe if I should have a fourth, even though three had gotten me to that sweet spot where you are totally drunk out of your mind, just at the edge of having too much and possibly getting sick. Of course I had a fourth, and when Dave and his pal decided to go home, that just left myself and Joe, out and about and completely hammered because Piano’s was getting too crowded. It wasn’t sunny that day, but just it being still light out was pretty annoying. Finally we stumbled into some dive joint in the East Village and planted ourselves in the back, where they were projecting old 80s porn. I went to bathroom when I thought I was going to be sick, but didn’t throw up. I next went to the bar to ask for a glass of water, and after a few sips asked Joe to excuse myself once again. This time, it came pouring out, and all over the place. Once I had composed myself, I told Joe that I really needed to go home and asked for his help hailing a cab. Thankfully once came along almost instantly, and I curled myself into a ball, hoping to sleep through the trip since the rocky NYC roads can make even a sober person sometimes queasy. I then woke up near my destination, but that still wasn’t close enough, so I asked to be excused two blocks away from my apartment, just so I could throw up on the spot. It was highly embarrassing to say the least, but the cabbie was totally understanding. It was the longest two-block walk home ever, as I could barely move. Once I passed the McDonalds that just around the corner, I seriously contemplated just sitting down right up front and taking a nap. Best part was how it was clear that I was this drunken idiot in the middle of broad daylight and no one around me could have given a rat’s ass. That walk up the four flights in my building was pure torture, but I eventually made it to my bed, where I promptly passed out. And also missed all of Katie’s calls, who knew I was pretty out of it, which caused a certain amount of concern, so she rushed to be by my side. She’s simply the best. I was apparently babbling like an idiot for much of the night, but attempts to record it via her cell phone proved unsuccessful. Needless to say, that’s the last time I drink so much for a long time to come. But it’s been kind of a tough and odd past couple of weeks, so I needed to get shit out of my system as well.

BTW, I would learn the next day that a bunch of folks had gotten pretty zonked on margaritas as well on Saturday (even Katie had one when she was out with a pal of hers, before having to rush home to make sure I hadn’t died). But yeah, Saturday afternoon’s hijinks more or less put the cap on any other potential plans. That means I didn’t do jack when it came out to the Come Out & Play Festival (I did have plans to check out the real live Pitfall, so epic fail on my part). Instead, on Sunday, Katie and I went out to Mitsuwa for some Japanese fine dining and food shopping. Since nothing cures a nasty hangover than a nicely breaded pork cutlet covered in katsu sauce and authentic Japanese rice.

It was also a chance to hit the Japanese bookstore and look at the magazines. Naturally, the game rags are my favorite things to flip through, while Katie loves their pet specific periodicals. Call it reverse racism, but I find these strollers for dogs in Japan the cutest thing ever, but meanwhile, if I ever saw the same in Park Slop, I’d probably grab a rock…

Though my fave kind of dog happens to be the very Japanese shiba inu, mostly because they always look like they’re smiling!

… Even when they’re being humiliated by their insane owners. Speaking of Japan, that trip back later this year seems less and less likely as time marches forward, but that’s okay, since Katie and I have tentative plans to go there ourselves after she’s down with grad school. The top of my list of things to check out? The giant, life-sized Gundam that I’m sure many of you are all sick and tired of seeing, but I’m not…

… For additional pics, simply go here, here, here, and here. That one, the shot from a train, simply takes my breath away. I just hope it and the rest of Japan is still around by the time Katie and I can make the trip! Since, you know, North Korea and all.

Well there’s tons more to get into, like E3, which I haven’t even addressed as of yet. But me thinks it best to wrap things up here and wait next time, so till then…

2 comments

06/10/2009

A Mess Of Everything Indeed

by Matthew Edward Hawkins

Now that I’ve more or less fully recovered from the weekend, time to finally file a report…

First off, I want to thank David Bonan for inviting me to take part in the Connecticut Film Festival’s inaugural interactive portion of the show. Aside from being a super swell guy (and I’m not saying that just because he’s such a diehard fan of Jizzmoppa), Dave simply did an amazing job whipping together a massively stacked and supremely high quality offering, especially for something’s first time going. I kid you not, I’ve been to similar things by folks in their fifth or tenth time doing something similar that are still no where near as close in terms of scope and depth. Again, it’s a real shame I wasn’t able to spend more time at the show, and am crossing my fingers that I get invited next year!

But on that note, regarding the subject of attendance, there was only one slight problem with the festival as a whole, albeit from my very brief experience with it…

“Raccoon City”

The CFF took place in Danbury, as in it more or less completely took the city over, in a similar fashion to that of ICON when that used to be held at Stony Brook University. Meaning, programming was literally everywhere, which was impressive to say the least. Just poke through the website and you’ll notice that about a billion things were happening, all at once!

Now, I had no idea what Danbury would be like; I had only been in CT once before, and that was years ago, when I accompanied my ex-roommate on a trip back home (which was immediately preceded by “The Body At The BAM” incident, as detailed in UNLUCKY #3), which was somewhere totally different. I’ve always had a vague notion of what the state was like as a whole, and give the event and it’s offerings, I had assumed Danbury to be more of a mid-sized city than a small town. But once my train spent ten solid minutes passing through nothing but foliage, it soon became clear where and what I was headed towards. Danbury itself turned out to be quite picturesque, and strongly reminded me of those quaint little old fashioned towns that one can find all over Jersey, near the shore, and which are teaming with tourists. But with one key difference: there was nobody there. A fact that was immediately noticeable and creepy, even a tiny bit scary.

After checking in with Dave, I was left to roam the streets to find some food until it was time to talk. About that: I was initially under the impression that my speaking commitment was only thirty minutes, which might seem a bit silly to anyone, given all the time and travel I had to put in towards it. Well, it was actually an hour and a half, so I guess all that effort was not such a waste after all. But that meant that I really had no idea what I was going to say; given all MoCCA prep I had been preoccupied with, I had zero time to collect notes and come up with a basic outline. Granted, I’m pretty good with thinking on my feet, and panels sometimes go totally left field of where they’re supposed to be, but it’s still always good to have backup material. Anyhow, I almost immediate ran into my buddy Josh Shabtai, who was the dude who gave Dave the head’s up about me in the first place and fellow panelist for the afternoon. Josh also confirmed all my suspicions about the area: there was something genuinely strange going on. Here’s a shot of just one of the many very empty streets…

… As you can see from the one lone dude all the way to the right, it wasn’t completely deserted. Aside from the cars parked on the street, there was a few people seen walking around, but most appeared to be totally crazy. While heading towards a possible lunch destination, this clearly insane woman began making conversation with us, mostly to ask about the badges we were wearing. As Josh humored the woman, I took a sneak peek into her bag sitting right next to her on the bus bench. There was a Disney coloring book, partially torn to shreds, and at least three empty and crumpled up bags of gummy worms. This woman looked like no grandmother in case anyone was wondering.

The venue for our topic was at the Polish American Citizen’s Club…

… And here’s what it looked like inside. Yup, it’s a Polish “club” alright…

… Note the bar’s big screen with the Xbox 360 hooked up at the bottom, which I’m pretty sure if you asked to turn the ball game off to play would have gotten one’s ass kicked…

… Not too far away from the big music stage that made up the third and final component of the three-tiered show…

… Not too many people in the audience, which I guess is somewhat odd given that it was a beautiful Saturday afternoon. From what I would gather from other folks who had been at the festival all day long, attendance was a major issue all throughout, at least at all the interactive panels, with the biggest session bring out eight people. No idea why the numbers were so low, since from what I could gather, the entire thing was heavily promoted. Sorry, but I didn’t take any of the numerous signs and banners all around the city to advertise the event. Which again was quite massive, and it should also be noted that it was a well oiled machine as well; every volunteer was extremely friendly and enthusiastic, and quite a stark contrast to those one could find at, say, ICON (sorry to trash-talk about all, but it’s still the best example given the circumstance).

The talk itself, which again was titled “New Media Frontiers” went as well as could be expected, given that we only had three or four people in the audience and I believe six people on-stage. Including Nikita Mikros from Tiny Mantis, whom I had been meaning to meet for sometime now, and who was also super swell as well. Guy also has a background in cartooning! I had expected to talk about video games as a new form of communication or canvas for the artist, but most of the talk was spent on blogs and Facebook and Twitter and the such. Still lots of interesting things were discussed, just sucks that no one was around to really absorb any of it.

The original plan was to stick around for a while and check out the rest of the show, but I just wasn’t feeling it, so Josh, his wife, and I grabbed the next train out of town, especially since they’re three hours apart. The three of us also got the vibe that we weren’t exactly welcomed by some of the locals, via their dirty looks, and not just from the crazies. Aside from the aforementioned loonies, everyone else were angry looking white dudes in MMA attire, and those types are raring for a fight any chance they get.

The trip back to the city was noteworthy for two reasons: first, there was this surly old guy with a leather fanny pack which made Josh go: “I bet you anything he’s got David Carradine’s cock in that thing.” Either old guy heard the comment and thought it was I who said it, or simply my laughing at it, cuz from that point on, his eyes were on me like a hawk?s. Josh and I were so certain he was gonna try to gut us like fish. Next was when the train came to a sudden stop at one station, to the point where everyone was knocked around and one could have sworn that we came kinda close to getting derailed (being in the very first car surely didn’t help). Apparently… and get this… some kids were lying on the tracks, dead ahead of us, but on purpose, as if they were goofing around? Huh? Didn’t see any of this myself, but that’s what we pieced together from our conductor. Had no idea people from Connecticut were so strange.

Eventually, as in almost three hours later, we found ourselves back in Manhattan. I went down to the armory on Lex where MoCCA was just closing its doors for the day. Ran into a bunch of folks, all of them sweaty. Katie, Pat, and myself all joined a few others, including Colleen AF Venable, Marianne Ways, and Jess Fink, to some Indian restaurant (naturally, given our location) for dinner. Highlight there was reminiscing about “the good old days” spent as a SVA student in residence at the George Washington Hotel. Afterward, we went downtown to Grassroots to meet up with Hilary and her crew and get our drink on. Took plenty of pictures, but once again, I have a crappy camera (which seems to be getting worse, I don’t know why, perhaps it’s broken), but the low level of light certainly did not help (could have used a flash, but also given everyone migraines). This one from outside at least came out pretty decent…

… Didn’t stay out too late, since I was exhausted from traveling, and everyone else was beat from the day one of the show. So onto day two…

Boiling Point

Before going any further, I want to thank everyone out there who came to the show and picked up the new zine, or whatever book it might have been. The support was very much appreciated, plus it afforded me the chance to meet a few new faces, such as Andy Frederick, whom some might recall through his Persona art contest entry. Thanks again everyone!

And here’s a picture of me and my tablemates, a happy little family…

… Note, this was taken way in the morning, before the day fully got under way, and when we were all in the best of spirits. Also, there was actually four of us this year; not pictured was Hilary’s pal An Nguyen, aka Saicoink, who was also lots of fun to hang with! Okay, now onto the complaints.

As noted previously, the new location was the armory on Lexington Avenue, a sharp contrast from the Puck Building down on Houston Street. From the very beginning I’ve tried to stay as positive about this change as possible, since so many others had been complaining about endlessly since day one. But secretly deep down, myself and Hilary were dreading it, because it was so close to the GW, which as also noted was a place that many SVA graduates would like to forget about, or at least stay far away from as much as possible. I know some fellow classmates might feel a bit differently, but after living there for four straight years, plus all the others spent as an employee of the school, along with how virtually all of the best parts of the neighborhood (with the exception of Frank’s Pizza, which is still the best damn slice you will find anywhere on the island of Manhattan, and that’s no joke) has been bulldozed thanks to development, and taking all of its charm with it, I have zero love for that neighborhood anymore. But as it would turn out, the new location would indeed totally suck and the old one became dearly missed by my lone day’s end.

For starters, there was the heat. I heard plenty of complaints about it during dinner and drinks the night before, but nothing could have ever prepared me for what laid ahead. After being there for just five minutes, around 10 in the morning, and well before the place was even half-full, everyone began sweating like crazy, whereas the temperature outside was nice and pleasant. The place is more than capable of air conditioning, but it was never turned on. Why? From what I understand, MoCCA didn’t want to pay the extra X amount of dollars. Funny thing is, one of the main complaints with the Puck Building was how its AC always failed, whereas here, it never had a chance to prove itself. Perhaps bitching about the heat seems a bit silly, but it seriously became a MAJOR problem for everyone involved across the board. I spoke to numerous attendees (after the fact of course) who confessed to leaving much sooner than originally planned, due entirely to the stifling heat. But for those behind the tables it was even worse; as a direct result of the heat, everyone was miserable and surly throughout the entire day. Including myself. I hate to admit it, but twice on Sunday I almost totally lost my temper for silly little things, which was so not cool. I try my best not to be a prima donna behind the table (mostly due from past experiences), but I almost couldn’t help myself, so during the final hours of the day, I had to take a chill pill (almost literally) in the form of two shots of rum at a bar nearby.

But there were other issues directly related to the space. As someone astutely pointed out, much like SPX before it, the entire notion of throwing everything into one gigantic room and moving away from having everyone sectioned off in smaller rooms totally ruins the intimacy that a small press event should have. MoCCA now feels like ICON to a certain extent; just this big, hard to handle noisy space. Though imho, the larger room is not without it?s advantages as well. I’m not in total agreement about SPX either, since those smaller rooms really did bite, and I was also always happy that I never had to be in the far corner or 7th floor space in MoCCAs past. But it’s an interesting observation nonetheless.

Anyhow, trying to find anything or simply checking stuff out in general was a nightmare. Before, if someone had something cool, you could ask where they got it and then hear “oh, in the back corner of room X” or something similar. But this time, when asking Katie where she got the totally awesome Sinbad comic for example, the answer was along the lines of “umm… somewhere over there? I think?” Keeping track of what rows one went down and what tables had been scoped was practically impossible. Because of the layout, everything melted together, and as a result, it was very easy to miss virtually everything.

Each year I seem to get less and less, but this past show I paid for literally five things. Was it because there was nothing good at MoCCA? I’d like to believe that the answer is no, and that I just never got the chance to come across any of it. Then again, a few other people, the types that are generally far more positive than myself, found themselves bored stiff with the offerings this time around, which was rather shocking. I heard the same general complaints, over and over again: “Great, not another whiny auto-bio comic.”

Additionally, there were almost zero shirts, handcrafted goods, or any other DIY goods as in the past, something I simply cannot explain. I guess this might be a good time to mention how I did. In a word: horribly. The first zine hardly sold at SPX, but that was less than a shock, given how it?s mostly a mini-comics only affair. But MoCCA has become somewhat of a DIY-centric event, or at least I had thought. This year, I think I might have had one of the few zines on-hand and perhaps suffered as a result. Another thing that totally perplexes me: in past years, video game related goods have always been hot sellers, whether it be shirts or original artwork. This time I hardly saw anything of the sort, aside from the Life Meter collection and one lone mini about Sonic the Hedgehog. Guess everyone is totally over them and I somehow missed the notice? Then again, maybe there were tons of shirts, stuff toys, bags, buttons, and other zines that I completely missed for the just stated reasons! Or maybe Etsy has completely taken over that territory?

Yet another complaint about the new space: the lack of natural lighting and what the armory offered instead gave myself and others headaches. Even when things got hot at the Puck, at least things were prettier. Even the big hotel space at SPX had enough doors on one end to easily see the sunshine.

And another thing: the attendees themselves. Again, perhaps I’m totally wrong here, since I was only there for day two, with day one having the most people. But when stating the following, I’ve yet to be corrected thus far: previous MoCCAs always brought out a mix of folks who are clearly into indie comics and folks… who simply are not. I can’t even begin to define this latter group, but fellow cartoonists might know what I’m taking about. Just New Yorkers who are into art and junk? Well, I got the feeling that most of those folks were absent. Maybe it was the change in location? Perhaps there was indeed more off the street traffic that I had assumed there was? Did MoCCA’s Art Fest ad run in the Village Voice like it does every year?

All right, so the show was not total gloom and doom. As is always the case, it was a chance to catch up with some old friends. Like Steve Flack, Dave Roman, and Matt Loux…

… Other folks I had fun hanging or simply catching up with, but never took pics of (since my camera once again is rather frustrating these days) was Nate Powell, Kevin Colden, Scott Price, plus both John Green and Marion Vitus, with whom we spoke about the splendors of The Room!

And here we have Lamar (you know the dude who did the totally awesome cover to the latest zine… and who I forgot to credit in the actual thing itself, cuz I’m an f’n retard… sorry about that, and obviously, future reprints will fix this glaring mistake) with his brand new book, and looking totally scared…

… Seriously, it was the book of the show for me (along with Katie’s Nurse Nurse 4 and Hilary’s mini about her dearly departed dog Elvis, of course)…

… Though coming in at a close second was the aforementioned Sinbad mini, which I was never able to track down myself…

… Then you had the Batman comic written and drawn by the 5 year old…

… Here’s the creator himself, Max Mutch, signing the very last copy for me!

… As it needs to be said, but this kid easily blows away that Alexia Kitchensink brat out of the water (the 8 year old girl “sensation” that was a staple of MoCCAs past that basically gave most people douchechills, though it was mostly her idiot parents’ doing than anything else). Props to his parents for not censoring the kid. Sometimes a writer must use the right words, no matter how risque they might be…

… Stopped by the Dongery table, of course. In addition to their latest assortment of comics, I also got this DVD…

… When I asked them what was in it, they claimed that they had no idea. Not sure how many copies they had, but I nabbed the last one once again. Unfortunately, when it didn’t work on my DVD player, I wondered if it was due to region code, but the disc plays on my Mac. Haven’t had much of a chance to watch it, but thus far… its appropriately weird. Kinda like Splendid Recipes, but from a different country.

The best book that I didn’t get was A Mess of Everything by Miss, simply because she had sold out of copies. I’ll just pick it up at Rocketship. And the one book I was hoping to see, but alas didn’t, perhaps because it doesn’t exist, was Bear Bear 2. Damn.

In addition to a total lack of interesting shirts to purchase (picking up all my threads at comic shows used to be my thing), I hardly saw anyone wear anything of note either. Except for this tie-dyed cat shirt, that was apparently purchased in Japan!

Ultimately, the biggest issue other than the temperature was the cost; MoCCA jacked up the prices for the tables this year, so all the stupid little problems, like the ridiculously inept preplanning (which even vets of comic shows, who normally shrug off such things, were fairly livid about) and the insane heat (which I guess made an impact here as well), were all insult to injury. Furthermore, the prices were raised yet again for next year’s event, to the astronomically high price tag of $400. And given that half tables are more than half the price, what you basically have is highway robbery. Maybe someone can correct me, but I understand that table prices aren’t even as high as the San Diego Con, which is the grand daddy of them all. People were already barely coming close to covering $325 via their $1 comics, but $400? What’s the deal with the jump? If there is no AC this year, there WILL be a full-scale riot, I kid you not.

Yet, when all was said and done, I still handed in my form and payment information at the end of the show. Why? To be honest, I’m still wondering that myself. Especially since I’ve been mostly complaints for the past few shows, plus I make it no secret that the world of indie comics flat-out annoys me to a great degree. Though I’ve also heard others make the same complaints as I most recently (and are even being a tad-bit more vocal about them as well), which I mostly attribute to stagnation of the scene as a whole. Thankfully there’s always new blood coming in, but many who were “hot sh*t” a few years back are still hanging around, even though their time has somewhat passed. Me thinks that once the old blood has been completely flushed away, meaning their influence as well, things will finally feel fresh again and some interesting new directions will being to emerge.

Granted, it might take a while and won’t be pretty; some good folks might get dragged along with it, i.e. publishers may become casualties. But sometimes things have to bottom out before they get good again (it’s more or less happens in pretty much EVERY creative field). Plus, I will admit, one of the more entertaining things about going to such shows is seeing whomever that was yesterday’s flash in the pan superstar acting like a grumpy rockstar due to increasing irrelevancy. Especially if they’re ones that push the nonsense and hallow “yay, team comics” sentiment, and I did witness some of that at MoCCA. Then again, we were all grumpy that weekend thanks to the heat. BTW, I’m fairly certain that I will never ever be hot sh*t in the world of indie comics, and am I totally happy with that. Not trying to be modest here, just realistic. If UNLUCKY ever gets picked up by a publisher and collected, that’s totally good enough for me (that’s always been my primary goal to being with).

Then again, with the cost of entry being so high, I’d have to assume that many aspiring, just getting started cartoonists might be scared away from doing MoCCA and other similar shows, so that stagnation I speak off (which I’m more than certain many will disagree with me, or perhaps do but are afraid to go on record as agreeing with for whatever reason) might be happening for some time now. Meaning more whiny auto-bio comics for some time now, but thankfully the bad Paper Rad rip-offs seem to have died down, at least from my perspective.

Back to why I’ll be back at MoCCA, at least this upcoming year: like most comic shows, its a great chance to see old friends whom I wouldn’t be able to see otherwise. Plus, given that I won’t be doing SPX, I’ve already saved over half a grand from not traveling and other associated costs. I should maybe also mention that the only reason why the upcoming $400 price tag won’t be that hard to swallow is thanks to the table being split by four people (me, Katie, Hilary, and An). But once it hits $500… no thank you. My goal right now is to check out other, lesser-known shows, mostly because they’re just cheaper. I hear that the new con in Maine I believe was pretty awesome, feeling much like the SPX of old. There’s also a pair of zine shows going on soon, one in Manhattan, the other in Brooklyn, in the next couple of weeks, and am looking forward to those. Chatted with someone about the latter, though I forget who; this person mentioned how last year’s was somewhat of a bust because too many comic book people were exhibiting, which annoyed those that had turned out, or something like that. Hopefully that means I’ll finally be at the right place and the right time. I’m also eager to attend shows that I’m not apart of directly and therefore am not jaded by all the behind the scenes nonsense. Basically, I simply cannot wait to hit Otakon once again later this summer!

Time for two last pictures, of Pat later that evening, taken while him, Katie, and myself were all decompressing, as we do after each show, posing with the cat like she was his daughter…

… I swear, I have like 40 of these. That’s what Flickr is for!

Meanwhile, On The Internet

Since then, I’ve been taking it easy, catching up on rest, as well as all the stuff I’ve missed online since gearing up for the show. Which means the tail-end of E3 (what’s this about Microsoft’s new motion sensing device not being able to detect black people?), as well as catching up with my own neck of the internet woods as well. Or so I thought in the case of the later.

As some might have noticed, the fort90forums is down. Has been for days now. What happened exactly? Well, according to Mike…

“… basically, a phpbb 3.04 backup was made and for whatever reason all attempts at restoring it in the same version # don’t work. no error messages using the auto-restore function in phpbb…”

… Whatever the hell that means. And because neither Mike nor I know nearly enough about sql and php, we could really use some help if anyone out there would be gracious enough to offer it! All interested parties should email matt at fort90 dot com. Thanks!

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06/05/2009

This Weekend

by Matthew Edward Hawkins

Just woke up from being passed out for 12 hours plus and I feel fantastic! Yet, the back of my throat seems a bit scratchy… which is what happens when one’s up and about for 36 hours straight (hence the passing out). Pulling all nighters and carrying on the next day like it’s no big thing used to be so simple, but I guess my age has caught up to me and such behavior now opens one up for potential sickness. And the reason for missing out on sleep the night before? The MoCCA Art Fest of course! As much as I tried avoiding it, like so many others, I’m rushing to get everything ready at the last possible minute, mostly due to unforeseen circumstances (in my case, my Mac had a major meltdown the other night, and all I can say is God bless Time Machines). But hey, that’s just how it always is, so no sense freaking out.

Man, what a crazy week. Lots to talk about. E3 is naturally near the top of that list, but here’s SO much to address that I’m not even gonna get started. Next time. Besides, I still need to put the zines together (getting the covers done was an odyssey all by itself, and a pricey one at that, but still worth it in the end me likes to think), plus I’m leaving in just a bit to pick up our badges at MoCCA HQ (myself, Katie, and Hilary could wait till the morning of, but considering all that’s happened on that side of things, we absolutely do not want to take any chances), grab some drinks and dinner with some folks, including Pat (whose staying with both Katie and I!), then head out to Brooklyn for the Rocketship party, and have a few more drinks afterward. The weekend is officially kicking off!

Though there is one thing I wanted to address real quick: yesterday word got out that was Nickelodeon Magazine ceasing operation, I believe today. Most people know me via my association with Nick Mag, since it?s the very first outlet I ever wrote for. And not only is it the longest writing gig I’ve had, but my personal favorite as well. It was a truly amazing publication, thanks entirely due to the outstanding folks behind the scenes, along with all the support it’s gotten from all corners, hence why such new is both so sad and genuinely shocking. Sorry, but for all of those you out there who love to yell “well, didn’t you see it coming? print is dead!”, all I can say is… it?s incredible how having a readership range of around 6 million, with circulation of about one million, is still not good enough in this day and age.

Anyhow, I just want to thank everyone out there associated with the magazine, but two people especially. First, my editor Carmen Morais, who took a chance on me when I was an absolutely unknown. I still can’t believe my very first assignment from her was an interview with Miyamoto! And of course, there’s my good pal Dave Roman, the guy who got me hooked up in the first place. One day at the office, they were trying to figure out what sounds Pikmin make and no knew, but Dave at least had a friend who might. The rest as they say is history. It shall be sorely missed, and by so many.

Well, gotta run, so here’s some last minute reminders and details: first I’ll be in Danbury tomorrow as a part of the interactive portion at the Connecticut Film Festival, to talk about games as an emerging frontier for mass media and the arts! For more information on the interactive portion of the show, which is quite massive and chock full of good stuff, simply go here, where you’ll also find info on the festival as a whole. It’s a bummer that I can’t be there the entire weekend. Because…

On Sunday I’ll be joining Katie Skelly and Hilary Flordio at the MoCCA At Fest! Our table will filled to the brim with all sorts of neat stuff, including the latest fort90zine! Even though I won?t be there all weekend, the lovely ladies will, so please stop on by if you have the chance! And remember, the location has changed this year, to a bit a ways uptown, to the 69th Regiment Armory at Lexington Avenue and 25th St in NYC. For additional info, simply head on over to the show’s homepage. See you at the show(s) everybody!

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