06/20/2006

“Is that… Hard Gay?”

by Matthew Edward Hawkins

So the New York Asian Film Festival 2006 is well underway and this past weekend I got to check out the first two of the nine films I’m slated to see.

THE GREAT YOKAI WAR

As a Takashi Miike diehard, I was pretty eager to see his first kids film, which has been trumped up as a Lord of The Rings-eque epic. Miike’s made a legacy for himself for his genuinely bizarre, inventive, and all around f’n crazy films, as well as his insane output (he made like nine movies in just one year if I’m not mistaken). And while I knew it was a kids film, so I wasn’t expecting to see any women lactating this time around (though i secretly was hoping for it), I had high hopes, and…

The film centers around Tadashi, a scardy-cat kid who’s folks have just divorced, so he moves out into a small rural town to live with his mom and his senile grandfather. One evening, while at a local festival, he’s chosen as the “Kirin Rider”, which is the grand guardian of peace and justice, plus it also means he has to climb up a mountain to claim his sword from the Great Goblin. Naturally, Tadashi is scared shitless about the task at hand, but he decides to prove the other kids that pick on him wrong by going on the trek anyhow, and ends up running away screaming, then gives it another shot. Along the way he meets a variety of demons, known as Yokia, that come in all shapes and sizes, and while some are creepy and scary, all are nice and friendly (including a half human-half turtle demon with a tiny dish on its head, a one eyed-long tongued umbrella, some dude in a grass skirt and blue face that can grow super huge, a talking wall, and a girl who’s the princess of the water, and the film’s token cute chick, plus an old guy who’s main shtick is that he cleans beans, among many others). Once Tadashi finally gets his hands on the sword, he’s confronted by Yomotsumono, an evil once-was-a-human-but-I-guess-he’s-now-a-demon-too that seeks to rub out humanity. Plus he goes around kidnaping nice and friendly Yokia, then drops them into some ooze, along with some form of machinery, like a motorbike, which transforms them into a mindless killing machine, to terrorize humans and act as a henchman. At the first moment of truth, the kid wimps out, the sword gets broken, most of the remaining Yokia are too chicken-shit to do anything against the treat, but troops must be rallied, the sword must be reforged, and the evil MUST BE STOPPED!!! You can imagine where it goes from there.

It must be pointed out that the Great Yokia War does a great job highlighting why virtually every American kids film today flat-out sucks, because they more or less insult children’s intelligence by playing it far too safe. This film has plenty of action and graphic violence, even some scary, creepy stuff, plus you have people (and demons) smoking and drinking beer. Basically, crap most parents these days are afraid will destroy and corrupt their frail children’s minds. As a move as a whole, its pretty good: you have a decent plot, interesting characters, even touches of humor, but its never forced. But as a Miike film, it’s a bit of a disappointment. On a scale of one to ten, its easily a eight or nine, but Miike movies are always an eleven or twelve.

Another problem, which MK especially had, was with the kid. He’s just like the pint-sizd wimp from Tetsujin-28, in the sense that its understandable when he’s a wiener in the beginning, before he gets his hands on the ability to kick-ass, but to continue acting all sheepish after he’s shredded some bad guy robot/demom hybrids was just plain annoying. Though another big reason to see the movie is for the awesome special effects. For something that was 1/10 or maybe even 1/20 the budget of just one of the LOTR films, the film easily holds its own; some of the effects are quite comparable, while others are not so, but I’d gladly take H.R. Pufnstuf-grade foamy creatures over CGI any-day.

CROMARTIE HIGH SCHOOL

Next on Sunday was the live action adaptation of the manga and anime of the same name, which I hear is a big hit (must be only in Japan, because I have yet to know anyone in America even hearing about it… actually, I do know this one Japanophile who’s a regular Mr. Naruto and he absolutely cannot stand Cromarite… on the flip-side, its pretty much one of the very few manga and anime to come out in recent months that I can even stomach).

The movie is an extremely faithful translation of the source material, which is… really difficult to describe. Long story short, it stars Kamiyama, who’s a not so bright teenager who attends a high school that’s overrun by tough-guys and juvenile delinquent, and they’re all even stupider than him. Instead of detailing the film’s “plot”, I’ll just describe the film’s end, in which Kamiyama, who has managed to form a strike-force that consists of some buddies, an old movie actor, a masked wrestler, a robot, a huge monkey, and Freddie Mercury (who is identified as Freddie Mercury-Hard Gay), must face off against a pair of super space apes and the entire student body which said space apes have transformed into Shaolin monks. Seriously, if that doesn’t sound like the greatest thing ever, then whoever you are, have no sense of humor whatsoever. Just see the damn movie for yourself.

OTHER STUFF ABOUT THE FILM FEST

So again, I know blowing $170 on move tickets, and for a single film fest, is pretty nuts, but the bottom-line is that I absolutely live for the Subway Cinema Asian Film Fest. They’ve seriously been the highlight of every summer for the past few years, and its already shaping up to be potentially the finest one yet. Though there have already been annoyances…

Basically, the people. When you go and see any major film in any random theater, you deal with knuckleheads, the kinds you come to expect, and when you go to a film festival, you have to endure with its own unique brand of idiots. In the case oif the Subway Cinema film fest, its crazy old white ladies who all seem excessively well to do and very board. They just love to talk and talk and talk, whether it be boring a staff-member to tears, or going on rambling diatribes at Q & A’s (which I haven’t had to bear witness to thus far).

Then you have dopey Asian teenage girls. These are the ones that went and saw Titanic fourteen times, and cried every single time. One sat right next to MK and there was this one Yokai in the Miike flick that was small, fuzzy, and cute (imagine a hamster wearing a karate outfit). And of course, the girl instantly feel in love with the thing, and let the whole theater know, over and over and over again, with a declaration of “Awwww!!!!! That’s SO cute!!!” It was okay the first time, but after the thirtieth time, I just wanted to scream (I’m surprised that MK didn’t punch her the mouth… that would have been sweet).

But on the brighter side, it sure is nice to see Grady Hendrix, the brains and emcee behind Subway Cinema, working his magic once again. He has this magical ability to make everything sound mind-blowingly awesome, and if there’s giving out prizes to the audience, even if they’re totally lame, Grady makes it an event that cannot be missed (though I too am excited about the possibility of winning one of the mega-prizes, a framed poster to the flick Black Hooker). He was even able to lessen the blow of the Ski Jumping Pairs short not showing before Cromarite as advertised, and hyping in its place a racist McDonald’s commercial.
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Otherwise, not much else to speak of from the weekend. MK & I wanted to just chill and relax, after the busy, hustle-bustle that was the previous weekend, and we did. Finally watched some of the Venture Brothers DVD, and I also showed her the final two episodes of the second season of Millennium. Originally to be funny, I wanted her to see it before we BBQed some chicken, since the bird flu is a major component of the show (once again, it was WAY ahead of its time), but we didn’t, and that was probably a good thing (especially going by her reaction to the dinner scene where every exsanguinated to death, meaning they couldn’t stop sweating blood).

Also on Friday I did some “field investigation” after work, which meant double-checking various things for my video gaming in NYC piece for GSW, and that meant checking out assorted game stores and arcades in Manhattan. I know I promised Simon I would have the piece done last night, but I accidentally forgot to bring all the work I did yesterday home, and since I’m going to be busy getting ready to teach tonight, it will have to wait a bit longer. Anyway, based on a lead from someone at Insert Credit, I finally got the check out the super secret arcade in Chinatown, the existence of which I was somewhat doubtful of since the same person claimed that Senko No Rondo was at Chinatown Fair a whiles back, and that turned out to be bullshit.

But not this time, and I finally got to check King of Fighter XI in action, and it is indeed nice. The real funny thing is when I first got there, I noticed the two player Initial D set-up and there was Chinese kid sitting in the player one seat, reading a manga. After checking out KOF XI, I decided to give Initial D a try before leaving, and the kid was still there, still reading comics. I had assumed that all he does all day is just sit and there and wait for challengers, for him to waste, but he simply sat and read while I had my playthrough.

And on Sunday night, MK & I got to check out Robin’s new pad, which is quite nice. It’s sorta like my place, in the sense that there’s plenty of space, except there’s no fucking cat fur all over (and no stench of cat shit in the air either… sorry, but its hot out, and that’s when the pets really get to me). He mentioned how he caught the new ECW show on the Sci Fi network (of all fucking things) and how the hardcore wrestling icon, the Sandman, had to fight a zombie. According to the wrasslin’ dirt sheets that Robin still reads up on (I used to, but I just don’t have the time), the original opponent was supposed to be from outer space (they’re on the Sci Fi after-all), but the network executives weren’t too keen on the idea of an alien getting beaten up.

Since I’m on the topic of YouTube, here’s a some recent favorites, including a program in Japan that booth teaches how to stay fit and speak Enlgish and further proof why MTV back in 80′s was so much cooler than it is today.

  • http://leopard-lady.livejournal.com Jill

    omg! Cromartie Live Action?!?!

    I’m *there.*

    (I happen to

  • http://www.gamersquarter.com Shapermc

    While I can enjoy Miike films, they are exceptionally hit or miss. Audition is still one of my favorite movies ever, but crap like IZO makes me question things. That said, I found myself shocked for enjoying Visitor Q as much as I did. I am looking forward to Imprint (the link has a good rundown of the movie with images, but not a good journal). Also the section he did for 3 Extremes was pretty great as well. This film you talk about looks pretty good and has a sort of 8/16 bit import horror game look to it. Those kinds of monsters are basically what fill those games so instant connection.

    About how safe films are… well. I don’t want to get into that. But I thought you were going to talk about the actually “acting” of children. It is really a mixed bag everywhere, and esp. Japan. Kirosawa’s Dreams would be twice as good were the little boy in the first two sections actually a decent actor.

    Also, I need to find a good arcade in St. Louis. New Orleans use to have a damn good one, but it still hasn’t reopened since the hurricane, and I kind of doubt that it will because of their location.

  • https://www.fort90.com Matt

    I guess I’m the kind of fan who can find something positive in any Miike movie, even if they are indeed hit or miss as you say. Take Gozu for example, which I know many folks thought was simply Miike going through the motions and re-hashing his own gimmicks. What can I say other than I’m willing to be a bit more forgivable towards certain people’s work, and he’s one of them.

    As for what’s okay or not for kids, as someone one writes for children, its a constant frustration when you know something will connect to kids, but you have to hold back due to angry parents groups. People, parents in particular, have become so alarmist in this country that its almost sickening. If there’s one universal truth which I wish everyone fully comprehended, it would be that kids are not stupid (its something I stress strongly in my class actually) and they are far smarter, even more sophisticated, than most adults are willing to realize. But by feeding crap to their kids, they’re dumbing them down, and I’m afraid of the consequences. Just imagine in the near future, a whole generation of that were both overly coddled and given a steady stream of shitty direct to DVD Disney sequels to keep them occupied during a f’n car ride while growing up.

    As for acting in foreign films, its always a touchy subject. I personally cannot stand when folks make bold assumptions about foreign movies being automatically superior, such as the acting since, if one can’t understand what they are saying, how can one really say? Hence why for me, it all comes down to the emoting, the actor’s ability to get the emotion across without just the dialogue. But then again, I’ve always found child actors outside of the US to be far superior, precisely due to their ability to convey emotion without just words, unless you count pouting, which is what most American child actors seem to do in movies. But then again, all the blame could be placed on the filmmakers.

  • phooky

    Yeah, but– kids are smart, and they can see past their parent’s bullshit. I have a cousin that was exposed to nothing but Disney regurgitations for the first decade of her life, and ended up exactly as bitter, cynical, hip and sharp as the other kids who grew up smoking weed with their dads and baiting hippies at black rock.

    (Also, the child actors in Taste of Tea kicked nine kinds of ass in any language– how many teenagers can pull off a go-stone flinging fight scene against… subtitles?)

  • http://www.gamersquarter.com Shapermc

    “Take Gozu for example, which I know many folks thought was simply Miike going through the motions and re-hashing his own gimmicks.”

    I actually like Gozu better than most of the films he is re-hashing. I looked at it more as him sharpening his tools, homing in more. Also going overboard. Really, the only films of his that are “miss” categories for me are IZO and Ichi. I know that Ichi is probably his most famous and what is considered his “best film” by many, but I completely disagree. I think it not only has the wrong emphasis, but that the impact of the horror is lost because of it in most places.

    Also, I agree with you on the children thing. Going back and watching movies that I loved as a kid they all contain things that would net them a young adult audience now. The *big* one is Ghostbusters. It has drinking and smoking and crude language, but that never stopped my parents nor did it stop me from watching it hundreds of times. I still keep around the unwatchable VHS tape as a bit of memories and childhood. That aside, I think the main problem is not the content, it is the parents. Too often are parents not willing to be parents, they just want to be people with kids. They are not willing to watch movies with them, or TV, or the internet. The want the candy coated crap so they can safely put them on auto-drive while they get on with their lives. Again! Off topic.

    The best child actor ever is probably the kid who played Ivan in Ivan’s Childhood. If you track it down get the full length version, not the US release. It is a Russian film, but man can that kid emote. Aside from one small hammy scene he captures things beyond his years and the directorial skill of it all helps tremendously.

    BONUS FAKE EDIT: Watching Eli Roth gush over Miike is pretty sick. I mean, it is kinda cute to see him gush like a true fan? but I mean, take yourself seriously and quit sucking his dick. Hostel was bad Eli, get over yourself, you can?t copy Miike.

  • https://www.fort90.com Matt

    Yeah, Ichi is definitely overrated. I like it and all, but its certainly no Vistor Q. It’s mostly coveted by those that love “fucked up movies!!!” like Battle Royale (not sure if you like it, but I think it’s flat-out horrible) and they often included Seven on that list, which is a decent flick I guess, but hardly “fucked up”.

    Audition will always be my favorite. Its the only film I’ve seen in among a “hardcore” NYC movie-going audience where people couldn’t take it and they had to walk out.

  • http://www.gamersquarter.com Shapermc

    Man! Why you have to bring up Battle Royale? Ok, here’s the skinny:

    A few years back (or possibly just one! I can’t recall time well) I was in the manga section of Barnes & Nobel just browsing and I see an odd shaped item stuck in there: Battle Royale. The cover is nice and spartan, which instantly appealed to me, and my brain said: “hey, this is that book that the ‘OMG totally awesome’ movie is based on that everyone talks about.” So I picked it up. About a week later I had consumed the book, once or twice getting very little sleep because of it (I usually only read a little at night before I go to sleep, so being enthralled I kept reading).

    Now granted the book is not as skillfully written as most “literature” is, but given the content and that it was translated by a smaller publisher, it was damn good. It had some “what’s wrong with society” overtones, and it talked to high school kids (much like that conversation we were just having above) in a “cool” way through extreme situations. It was damn entertaining too.

    So about 3 weeks ago I finally caved in and bought the movie from an import shop in Baton Rouge. I was fully aware that the movie would be an utter failure. Well, it was actually far worse than I ever imagined and was completely missing the point of being mainly a social commentary as a novel. Anyways, I recommend the book.

    Bonus Pain: US remake of Battle Royale will induce brain hemorrhaging

  • https://www.fort90.com Matt

    Yeah, despite the shittines of the movie, with the only bright spot being Beat Takeshi, though the fact that even he couldn’t make the film worthwhile makes it all the more depressing, I’ve been long interested in the novel, so I might just have to finally pick it up.

  • http://dhex.org/htbr dhex

    i thought ichi the killer was a comedy? i found it very funny.

    (forgive me father for i have bad taste)

    i haven’t seen battle royale yet. i want to, however, because it also seems funny.

  • http://9mmstudio.com Ed

    OK, have you seen the “super space apes” before? They were the villains from the Ultraman rip-off show called (at least here in the states) Spectra Man! It was kinda bad, and therefore really funny today, but it featured the best opening theme song ever! The blonde ape was Dr. Gori, and the other one was Rah.

    I can email you the theme if you want.

    Ed

  • http://9mmstudio.com Ed
  • https://www.fort90.com Matt

    Whoa… I had no idea that the super space apes were from some old show! But then again, with Freddie Mercury and all…

    The only apes I grew up with was Lancelot Link, Secret Chimp!

    And yeah, I’d love to hear the theme! I have a thing for music from old Japanese shows.

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