Was going to post the following last night, after Jason‘s Xmas Eve party, but got home much later than expected. BTW, got him a $50 iTunes gift card for Christmas, and he got me two $25 ones! Also, most of the evening was spent sitting around, talking about, and basically fondling our iPhone 4Ss, along with the various males from the wife’s side of the family. Steve would have been proud.
So the plan shifted to earlier this evening, before midnight, while it was still the holiday. But I ended up staying at Dave‘s family’s Xmas gathering much later than usual. But hey, it’s still December 25th on the west coast! Anyway, long story short, never got around to watching all those holiday specials as previously noted, and like I normally do. Why?
Because there’s just been way too much awesome Xmas programming on New York Cable Access! From last Friday night, a very special edition of the Wild Record Collection?
There’s also this. I love the response I got from my pal Suzanne from back in Washington: “Is that an old episode of Sifl and Ollie?” Nope, copyright 2011! Oh, and real quick, this is what I got from Dave this year?
It’s a collection of Fernand The Polar Bear comics, and it’s pretty much the best thing ever. Almost every gag ends with the bear having sex with someone or something! It’s nice to have friends who know what I like. Plus, while talking about the Zelda timeline controversy (as also mentioned in my last update) on the car ride to Babylon, Dave brought up how he recently tried the same with all the Rankin/Bass holiday specials!
One last thing: the final Fangamer podcast of this year will be recorded tomorrow night (or later tonight, since most will be reading this Monday morning). It’ll cover be covering all our favorite game related moments, revelations, accomplishments, and headlines from the past twelve months. As well as our choices for best games of 2011!
Which I was going to save for my final blog post of 2011, but will now be publishing sooner, before the episode is available for download. But those who want a sneak peak can tune in! It’ll be live-streamed in the evening; not sure of the exact time, but I’ll give a shout out as soon as I find out via Twitter (there’s also the Fangamer Twitter feed as well).
Past few days have been nuts, wrapping up freelance commitments before clients head home for the holidays, and the like. Now I can rest and relax and watch my modest pile of holiday specials; just wrapped up the Red Green Christmas DVD. Next is Tim & Eric’s, followed by the Trailer Park Boys, then Pee-Wee’s Playhouse.
And before anyone asks, Christmas NiGHTS is reserved for the morning of. But before all that…
Still, the chance to once again see Nausica, Laputa, Kiki, Totoro, and Porco Rosso, all on the big screen and in glorious 35mm is a good one. And can’t forget Pom Poko, with it’s almost two hours worth of tanuki testicles! Might also finally catch Whisper of the Heart as well. But I was at the IFC Center this past Friday, not for the festival’s opening night, but for a midnight screening of one of my all-time flicks, The Blue Brothers! And it was awesome, despite one very harsh realization.
First, while waiting, had to endure an insufferably annoying hipster couple’s inane chatter. They were like two poorly conceived SNL characters, with such exaggerated mannerisms that it felt like a huge act. The worst part was how the lobby was decorated with assorted Studio Ghibli posters, for the festival obviously. And how the two kept making silly assumptions, plus mispronounced everything. I had to really fight the urge to say something, and basically be “that guy.”
The biggest annoyance was, naturally, the possibility that they’d be blabbing through the entirety of Blues Brothers. If the notion of a cat bus was such a “mindf*ck” (God I hate that term; the word itself isn’t as douche-y as the people who actually use it) to them, I shuddered to think how they’d react to a movie that had both Aretha Franklin and lots of car crashes. Yet in the end, they weren’t there for Blue Brothers after all. Which made zero sense given how nothing else was playing at that time; were they just loitering?
Instead, the theater was practically empty. Yet one guy still wanted to sit near me; at least he asked. Thing was, I had chosen the perfect spot, ensuring the optimum viewing angle for the movie, dead center of the theater. And the guy knew already, because A few others were in attendance, ALL dudes. Seriously, not a single woman in the audience. Back to the guy next to me; in an effort to make polite conversation, I expressed my relief that the aforementioned hipster scum were not present to ruin the proceedings.
But his response was along the lines of: after a while, one tends to ignore such distractions. Sagely advice, given to a newbie like myself. You see, there’s a group of people, who live exclusively in Manhattan. Middle aged men who spend all their time going to see classic cinema, at odd times of the day and night. Sad and lonely cinephiles, a brotherhood whose ranks I brushed far too closely with that evening. I’m not quite there yet, though it’s impossible to deny that I exhibit certain traits already. At least it wasn’t a Woody Allen screening!
Even more depressing was, after geeking out on the exploits of Jake and Elwood Blues, I went home to watch the special features on the DVD, which I hadn’t done so in a while. And watching Dan Aykroyd dancing on stage at the House Of Blues, many years later (and many pounds heavier) is more depressing than anything else. Anyhow, back to the IFC, I finally had my first real reason to do use the Instagram app that’s been collecting dust on my iPhone…
Tried stopping by the past couple of days, but couldn’t find the time; will have to wait till after Xmas. Might make it a stop for when I’m out and about with Hilary, mostly so we can see how it stacks up against Crif Dogs (which she’s a huge fan of). Her being back on the east coast for the holidays is the third big thing that’s happening at the moment, btw.
- Speaking of the holidays, check out this super cute and super awesome e-card that I got from Tiny Cartridge!
Both JC and Eric are the very best ever. Thanks guys! And big ups to Ashley for the super cool art as well! As for presents, guess what my dad sent me…
That’s an entire box, a decent sized one, filled entirely with Arby’s sauce packets. There has to be at least five pounds’ worth. Yeah, my dad’s weird like that.
- I honestly dont say a whole lot in the latest edition of the Fangamer podcast. Mostly because it’s a look back at the year that was for Fangamer, and I’m still a relative newbie to the crew.
But you can still hear me trying to convince Reid to pick up a copy Flower, Sun, and Rain, aka my choice for game of year in 2009! Apparently, I was quite convincing, at least according to one listener…
UPDATE: Well, it would seem that XSEED’s sale is over, sorry about that. But you can still get a copy for less than twenty bucks, $14.98 to exact, via Amazon. Well worth the price!
- You’ll never guess what the most popular thread, thus far, is over at the fort90forum version 3.0, aka Canvas. Why, it’s the one on modern architecture…
- Not sure if you’ve heard, but Dear Lead is dead. I’m speaking about Kim Jong-il, of course. Not sure if I ever mentioned it before, but my mother was actually from North Korea originally. Her and her mom (my grandmother) and her blind brother all snuck through the mountains, when the Communists took over the ball bearing factor that was the family business, shortly after the end of the Korean War.
All I can say is this: you know all the wacky stories you’ve heard about the place, including everything detailed in that Vice travelogue that everyone has been re-watching for obvious reasons? Guess what: that sh*t ain’t even one twentieth of how balls out insane things are over there, when compared to all the stories my mom used to tell me.
Here’s another thing: for a while now, I’ve secretly been entertaining the idea of visiting North Korea. You know, to see where you’re sorta from. Needless to say, when telling a few folks of my plans, more than one person pointed out that an American whose half a North Korean dissident would not go over well. Perhaps things might change under the ruling of the new guy? I hear he digs video games after-all.
Even though GlitterBerri has more than proven herself in the past, I’m still going to pass on her translations and wait for something more official (especially since she herself admits that she wasn’t able to process every single bit). Meanwhile, I believe this guy’s explanation makes the most sense, even if some of what GlitterBerri has translated contradicts certain parts (which again, is not definitive in my mind).
Not surprisingly, the response among diehard Zelda fans has been mixed. I don’t buy that much of the mystique of the series is now over, far from it. Ss the guy in his video also points out, there are still parts of the story that has yet to be clarified. And like many others, I also don’t believe that all the games have been produced in accordance of some master plan since day one. But I am far more impressed and satisfied with the pieced together effort that most it would seem.
Ultimately, it’s not so much fanboys getting their panties in a bunch, but casual observers who seem to have issue with Zelda timeliners that annoy me. Sorry, but how is this any different than people speculating about the backstories and whatnot in Star Wars or Lost? Yeah, like everything in those were laid out perfectly on day one. Also, to people going going “why don’t they just shut up and enjoy the games?” Well, for some of us, this is we enjoy Zelda!
- Reason #54,629 why GameStop sucks: as America’s largest retail avenue for games, when they screw up, they REALLY screw up. Apparently, them mistakenly telling customers that The Last Guardian was cancelled earlier today could result in countless sales of the game. Great job!
- As most folks also know already, the PlayStation Vita came out in Japan last weekend. And as expected, the place to go for the real lowdown has been Danny Choo. Gotta love how he illustrates how small those game cards truly are…
But seriously, his ultra detailed rundown of the system itself is definitely worth checking out, with a number of points that I have yet to see mentioned elsewhere! Especially the part about how the right analogue stick often gets in the way of trying to press the X button.
- And it was designed by the same guy who designer of the original Walkman? Whoa! And other fun facts.
- My new favorite blog would have to be one that’s dedicated to the Dendy, which was a Famiclone that was super popular in Russia during the early 90s. It’s mostly dedicated to the wacky bootleg games that came out, like this one, which is simply one of countless titles that supposedly features the Rescue Rangers…
Then you have this Super Mario Bros bootleg, sans Mario on the label, or anyone leading man actually…
One staple of any clone console is 100 in 1s, which crammed in as many games (illegally) onto a single cart as possible. But I’ve never seen as many games as this…
- Via GamOvr; this Chrono Trigger X Futurama mash-up is just way too good…
- The following has been making the rounds, for good reason; behold the brilliance that is the Designers Republic (once they were no longer associated with Wipeout, much of its special qualities simply vanished)…
- BTW, tried elaborating on the subject, over at Guyism, and got virtually zero response. Eh, when it comes to presenting my own esoteric tastes to that audience, some things works and some things do not. Can’t win every time.
On that note, it’s been a while since I highlighted what I’ve been doing to pay the rent. And it’s well over due; not just saying that because my boss on that end was nice enough to bestow both a nice little raise AND a Christmas bonus! Which, in the realm of freelancing in general, never mind video game journalism, is practically unheard of
- As explained a bunch of times already, I try my best to maintain a delicate balance of presenting mainstream news and the crap that I’m really into. Sometimes that means getting folks up to speed on stuff that should be common knowledge, but is not. Like The Legend of Zelda: The Light of Courage.
- One of the wells I’m dipping from is Machinima’s YouTube channel, and one of my favorite regular series that they produce is Sonic For Hire. The premise seems like such a one tricky pony, but the folks involved have done a great job creating an engaging, continuous narrative!
- Groups of people who dress up as video game characters, to engage in sketch comedy, or to pretend to be in a nonexistent film adaption of the source material, is dime a dozen on YouTube these. And I try my best to highlight the best examples. Though this might still be my absolute favorite example of Super Mario IRL.
- Sometimes I kick whatever off with something that I know will be crowd pleaser, before getting to the goods. Which in this particular case is some insanity involving Tomb Raider.
- Am a huge fan of super plays; the longer, the better. Though I’m most a fan of watching people playing games plus hearing them mindlessly chit-chatting with pals (it also helps if they’re playing whatever in some kind of wacky manner, like with one’s feet in this example).
- Many were excited by the idea of watching Tommy Wiseau play video games, but how many actually followed along? To be honest, The Tommy Wi-Show was a mixed bag, though him playing Driver: San Francisco is still the best thing ever.
- Also via Twitter, but also courtesy of the guy who inspired me to blog about video games in the first place, oh so many moons ago, aka Mr. Solid Sharkey!
- And finally: when I go to Long Island tomorrow, to spend Christmas with Dave and his family like I do every year, I’ll be leaving my MacBook Pro at home. Where it’ll be running this the entire time…
Speaking of Dave and Xmas, there’s also Sega. Not just because (and once again), I play the holiday themed demo of NiGHTS every morning of (whereas Dave prefers Streets of Rage 2, and even has his wife play along, as player two, though she mostly does it to humor her husband). It’s because…
Review: Sonic CD (Xbox 360/PlayStation 3)
My love for Sega turns twenty years tomorrow. Up until Christmas of 91, I was your average Washingtonian adolescent; a devout loyalist to Nintendo, the hometown heroes who saved video games in the US. I was definitely that kid, who had all the latest/greatest NES games, plus knew all the secret tricks. To the point that friends of friends would seek me out, for advice. I also found Mario & company a worthy replacement to the Transformers, for stuff to draw (along with TMNT; can still do a mean Rocksteady & Bebop if I don’t say so myself)
The only alternative, Sega’s Master System, wasn’t really much of one. Not helping was how it was the system of choice of this one kid in the 4th grade that I absolutely hated; name was Matthew Hopkins, kid you not. Wasn’t blown away with its 16-bit successor upon first encounter either; Revenge of Shinobi had a cool soundtrack and all, but that was about it. But along came Sonic the Hedgehog; I loved Mario and all, but Sonic offered something fresh, something different.
Plus by Xmas 91, the asking price for the system was reasonable, and having Sonic included simply sealed the deal. Wasn’t long until I became a HUGE Sega nut, their biggest advocate in my hometown, which its thoroughly strong Nintendo bias. I eventually got a SNES, but there was simply something about the Genny’s first and second party offerings that spoke to me more. I also always went for the Sega version if something had come out for both. I used to claim that they were slightly better, because its developers had to try harder by default (which was often true).
At this point, I was well into puberty, but instead of seeking out imagery from the pages of Playboy and Penthouse, to fuel fantasizes like a normal teenager, it was screenshots of Mega Drive games from the pages of EGM and Gamefan that got me all hot and bothered. And much like during my NES days, my collection and knowledgeability of Genesis games could not be beat. Yet one piece of the puzzle was missing: the Sega CD. Despite my wunderlust for all things Sega, even I wasn?t impressed at first, hence why I passed (the hefty price tag also didn’t help)..
The possibility of getting one was still there, but contingent upon two factors: the price of the hardware going down and a desirable assortment of software. At least one of the two happened. From the beginning, the only must have games were Sonic CD and Silpheed, and that never really changed. With the former being the only one I truly cared about, hence why it was basically “the one that got away.” I was the biggest Sonic fan you’ll find, and obsessed over Sonics 1, 2, 3, & Knuckles like nothing else, so it drove me nuts that I couldn’t play the CD based installment.
As time went on, it developed into a full-bore enigma. Partly because of it wacky production history; among the three dude who made the first game, the designer and programmer went to the US to create a sequel, while the art director oversaw his own follow-up in Japan (hence why Sonic’s sprite in CD is the same one in 1, despite 2 being a direct sequel; long story short, you effectively had two different part 2s). Then you had the controversy surrounding its multiple soundtracks, plus assorted parties claiming it was the best Sonic game ever (as a diehard fan of Sonic 3 & Knuckles, I found that notion impossible to fathom).
I would eventually get the chance to play the game, albeit in bits and pieces. First at Dave’s, again in LI, who had a Sega CD himself. Unfortunately, immediately afterward, it became a causality of the Quicken Forbidden live action movie we had attempted. Second, the Windows 95 port, via Jason‘s PC when we were roommates. Which didn’t play well, hence why I barely touched it. And third, version found on Sonic Gems Collection fo Gamecube. But despite it being readily accessible at long last, it just didn’t grab me. Though at this point, my love for anything Sega had almost entirely vanished, along with Sonic CD’s mystique.
But throughout 2011, those good old feelings started coming back. Mostly due to the brilliant Daytona USA port, plus the not quite perfect, but I’m happy to have it anyway Radiant Silvergun port. Let’s not forget the Guardian Heroes port as well! So the timing of a Sonic CD re-release, for XBLA and PSN, could not be any better (especially to cleanse the palette of the abomination of Sonic Generations). And this time, I played the game from top to bottom, gave it the full once over. So the verdict?
For those who don’t know yet, the basic gimmick that defines Sonic CD is how Sonic can travel through time. He can go either forwards or backwards in most levels (the ones that doesn’t include a boss battle with Eggman). The primary goal is to go back in time and find a machine that’s messing up the future, to then destroy it. This creates a “good” future, because otherwise, it’s bleak and horrible “bad” future. Which is characterized by everything being dingy and dirty. Unfortunately, other places in time are not as richly realized, which is just one of many issues.
Again, most levels have four iterations: the present, the past, the bad future, and the good future. Each has its own look (somewhat) and unique soundtrack (each stage has a signature tune, with accompanying variations that reflect each time period). CD quality audio was the main selling points for the Sega CD (especially since it honestly had no other advantage, other than more space for game data as well), hence the abundance of music. But instead of using real instruments, music from the past utilizes the “primitive” audio capabilities of the Genesis. It’s a wonderful touch, even if it did cause a pretty major inconsistency. More on that in a bit as well.
Here’s the thing that pretty much ruins the entire game: the levels, they suck. It’s clear that the folks who crafted the wonderful stages in part 1 were busy working on Sonic 2 proper. They’re wild and sprawling, to a fault. It’s easy to get hopelessly lost, and most annoying of all, stuck in loops in which you’ll have no idea how to break from; for a game with so much real estate, it forces you to follow certain specific paths, and it totally blows. Though losing track of one’s self is due to both poor level design and poor art direction.
In all the other Sonic games, the environments were clearly defined: sometimes the action took place on an island, on an oil field, in the arctic tundra, etc. Whereas every locale in Sonic CD is some place with neon lights and other bits of machinery in the background. Which not only lessens any semblance of direction in a given level, let alone progress in the context of the game as a whole, but makes no sense logically speaking. How can such technology exist in the past? Not saying that there needed to be dinosaurs in each past zone. Just wish a little more foresight had been used. I also know that’s a lot of graphics for whomever to come up with, but wasn’t the point of the Sega CD to have enough room for all that?
But the truly game breaking problem is again related to the crappy level design: time travel is achieved by running really fast for a certain amount of time. Yet, it’s pretty much impossible to build up the proper amount of speed 95% of the time, due to all the abrupt bumps in the road. Even worse is how the window for time travel (which is achieved by passing a particular sign post) is wildly inconsistent, though mostly not long at all. Furthermore, since the ultimate goal is to go back in time, to smash the aforementioned machine, going forward in the future is actually pointless, unwelcome even. Yet the problems don’t end there.
Sonic games have never been known for wonderful enemies, but man, I can’t recall them ever being uglier and stupider in any other installment. And the encounters with Eggman at the end of each stage, while conceptually interesting at times, are still somewhat boring and often quite frustrating. Especially in Collision Chaos; I cannot properly convey how annoying the whole thing culminates. Funny enough, it still makes perfect sense, given the context of the level as a whole; it’s an alternate take on making an entire level a huge game of pinball. Something that was executed brilliantly in Sonic 2′s Casino Night Zone, and absolutely not here. Too bad Sonic CD this time around is download only; I so badly wanted to smash a disc to bits at that point in the game.
Oh, and Sonic CD’s special stages are as bad as you’ve heard. Don’t even get me started why the Chaos Emeralds are called Time Stones all of a sudden. On virtually every level, Sonic CD feels like a very primitive version of Sonic 2, well before any of the problems were worked out and refined. The only real positive is the audio: as most folks know by now, the original Japanese soundtrack, which was very techno-ish (and video game-y) was replaced in America by something far more new age-like, but it still works for a game (yet it’s debatable if it actually suits Sonic the Hedgehog or not). Both has its fans, though more the latter than the former. Well, at long last, everyone can make up their own damn minds as to which one is best.
I personally think both are equally brilliant, and bring much to the table. It just sucks that Spencer Nielsen, the man responsible for the American soundtrack, wasn’t able to create his own “past” tunes. Instead, the US game used the same Genesis driven audio from the Japanese version (which is rather jarring, stylistically speaking, to say the least). Anyway, one key dare I say defining. aspect of the XBLA/PSN port is how all the stage music is looped (whereas before, because the audio was running from a CD, there had to be breaks). For the most part, it’s done well enough and you won’t notice the effect. But there’s instances in which the person who handled the port (Christian Whitehead, more on him in a sec) had to create content to connect the beginning and ends of certain songs, and it’s clear that he was not the original composer. Oh well.
Back to this Christian fellow, he’s otherwise known as The Taxman to those in the Sonic homebrew scene, and this latest Sonic CD port is based upon software of his creation, dubbed the Retro Engine, that Sega officially licensed, after checking out his proof of concept. He was also working on his own made up Sonic game, which doesn’t look half bad, eve if it’s a bit all over the place as well. Unfortunately, Christian completely neglected to include Spencer Nielsen in the credits, just the Japanese talent, which I find totally aggravating.
Another thing: all the vocals from the intro and ending of the Japanese soundtrack have been removed, for reasons unknown. What makes it especially perplexing is how (as noted in my last link dump), the Japanese soundtrack was released in America, via iTunes, and everything’s intact on that end. Huh? Also, the animated sequence in the end has been slowed down and chopped up, plus mixed into the credits. Unfortunately, the quality of the source footage is quite poor, so the whole thing looks rather jarringly bad. The list of minor/mid-range annoyances goes on.
The most important thing is that the core experience is as it was; by all accounts, it stands toe to toe with the Sega CD original, and is superior to the subpar PC edition. It’s actually in many ways better, since the ability to spin-dash from Sonic 2 has been added (otherwise, it’s damn near unplayable). After all is said and done, people can finally see what Sonic CD was all about (such as myself). And that’s a thoroughly overrated, profoundly disappointing, and flat out no fun at all, in the least bit, experience. It honestly feels like a Sonic game made by those folks who create the crap Sonic games of today.
And thank God I didn’t ask my parents to blow money on both a Sega CD and it’s best game, at full price, when I was a kid. I would have been so pissed.
Oh, BTW, Merry Christmas
Jesus Christ, had no idea that my Sonic CD “review” would end up so long and rambly. Sorry about. And I’m all out of time, so to end things off on a more positive and festive note, I present the following Merry Christmas everyone!
? has been fairly noteworthy, especially the past couple alone. Highlights include:
- While on the subway earlier tonight, some teenage girl went totally nuts and stuck tampons all over the walls and doors. It freaked the hell out of one female passenger, an older woman, who was clearly disgusted with the youth of today. All I can is, at least they were brand new and not used!
- The purpose of the trip was The Tank‘s Christmas party, at their new location, on 46th Street. Got to catch up with Nullsleep and Bit Shifter, whom I hadn’t seen in a while, and that was super rad. Besides being living legends of the chiptune scene, not just in New York but across the world, they’re like the nicest, sweetest guys I know. Not surprisingly, with Jeremiah, the subject of Venezuelan food came up.
Specifically the Venezuelan sandwich shop that he used to frequent when we were neighbors, and which I now brag about (since it seriously is one of the best eat on the entire island). Jeremiah took Adam and I there, after Heavenly Symphony last year, for a midnight snack. Adam has been looking for an equivalent in LA ever since, but I believe he hasn’t found one yet.
Not only was tentative lunch plans made, since Jeremiah’s back in the area somewhat, thanks to a temp gig at Columbia University, but I was able to congratulate him on preserving a piece of the internet. The other day he renewed the domain for the Geocities Memorial for another four years! Take my advice and keep hitting refresh till you get Lum dancing to either “All That She Wants” or “Better Off Alone”, in glorious midi of course.
And with Josh, was able to commiserate over how living in the Big Apple can really wear a person down after a while. I’m about to hit my 16-year mark, and Josh is almost at 17. But aside from the fact that I?d go nuts anywhere else (sorry west coast peeps that we me to relocate there, not happening anytime soon), NYC still has its moments. Aside from the crazy girl with the tampons earlier that evening, there was also?
- Once back home, decided to get some Chinese food around the corner (had Venezuelan for lunch already). And while waiting for my chow fun, someone completely out of the blue walked in: Isaiah ?Triforce? Johnson! He had just returned from Jersey, via the GW Bridge (I live practically next door to it), where he conducted some kind of interview with a podcast, regarding the VGAs (Triforce was actually in attendance), and was picking up some grub for the train ride back to Brooklyn.
I ask what his opinion of the show was exactly, and it was largely positive. You see, most of the actual good stuff was not shown, due to time constraints and the like (including how corny internet hijinks simply makes for better television). Furthermore, regarding the whole tea-bagging nonsense, Triforce actually placed the blame (partly) on gamers for coming up with it in the first place, and therefore giving the hacks who script the VGAs something to chew on. Interesting viewpoint to say the least.
I also asked what he thought about the King of Chinatown, which had recently been making headlines, specifically how he’s portrayed in the movie. Ultimately, I need to see the thing myself to totally see where Trifocre was coming from, but he explained to me how he was unfairly painted as the bad guy, when the focus and the intent of the project had morphed by the end. The later often happens, especially in documentaries, when the unexpected occurs.
Yet I also know that they’re still vehicles for directors to tell a story, who will sometimes manipulate the truth to suit his or her needs. Though in this particular case, there’s apparently a LOT of it, as does Triforce, especially now. At least he’s taking it in stride, and hopes he was the best bad guy possible.
- The latest Fangamer podcast is finally live. As noted last time, it goes over all the headlines from the month of November, plus a little from December, since it was recorded a week and half into things. It might be my favorite episode thus far because I think I’m finally getting into the groove of things!
BTW, thanks to Dave for lending me his headset; I sound much better than I have before (in which I was using the headset and mic that comes with the iPhone), but I still say “ugh” way too often. Still working on that. Also, everyone needs to listen because I actually break some legit news!!! Plus I bitch about the PlayStation Vita version of Uncharted.
- So late last night, after watching The Truth Behind Metal Gear Rising (an absolute must watch, btw, and not just for Kojima fan boys and girls, but anyone interested in the creative process, regardless of the discipline), I had an epiphany.
In addition to Skyward Sword, I’ve also been playing Peace Walker, via the Metal Gear Solid HD Collection, been watching Metal Gear Solid 2 Bande Dessinee, which is an animated version of the Ashley Wood MGS comic, with the Japanese cast from the games providing the voices, was thinking of replaying Metal Gear Solid: The Twin Snakes, and had spent a decent amount of time on the recently re-launched website.
So I then decided to ask Cory a question, via Twitter, and next thing you know, there’s going to be a Metal Gear zine! It’s a ways off; I still have to finish FORT90ZINE4ANSWER, plus Cory has plenty of his plate as well. Though hopefully we can get something started by spring of next year? That’s when we’ll be making the call for submissions and the such, though already, we’ve got something! Courtesy of Olly Jones?
Oh, and it goes without saying that everyone who donated to my Kickstarter, for the FORT90ZINE #4, will get a free copy! It’s the least I can do such a long wait.